TIFF Movie Evaluation: With Honey Boy, Shia LaBeouf Paints A Advanced Portrait of Trauma and Grief

The Pitch: Not explicitly based mostly on — though totally influenced by — the true lifetime of its screenwriter Shia LaBeouf, Honey Boy charts the connection and eventual fallout between a toddler star and his father. Within the current day, Otis (Lucas Hedges) is a troubled twenty-something motion star who winds up in remedy after crashing his automotive. His counsellor means that he’s displaying signs of PTSD, which he appears inclined to giggle off.

When the movie flashes again to the mid-’90s, although, the doubtless supply of those signs shortly turns into obvious: Otis’s father on set guardian. James (LaBeouf), a veteran, former rodeo clown, and recovering alcoholic is charismatic and an intermittently adoring mother or father. However he’s additionally imply, abusive, and brazenly jealous of his rising star son, who appears to each adore and worry him in nearly equal measure. With nice care and compassion, Honey Boy traces the highs and lots of lows of their life collectively.

A Light Hand: Given the subject material — particularly the extraordinarily private circumstances of its creation — Honey Boy might have ventured into gross exploitation underneath the fallacious steering. However the empathetic and curious method that award-winning documentarian and music video director Alma Har’el has at all times dealt with her real-life topics interprets very nicely to their crafted counterparts in her fictional characteristic debut. As an alternative of tabloid fodder, we get tenderness, and Har’el’s eye for bodily efficiency isn’t misplaced on this movie, both. A baby performing primary slapstick has by no means appeared so pretty.

On James: LaBeouf demonstrates the same degree of prudence and subtlety in his work as a author and performer. The character of James within the movie might have simply — and fairly understandably — develop into a supply of catharsis or payback for somebody mining as a lot from their very own life as LaBeouf does for Honey Boy. However neither James’ writing nor realization ever render him as lower than a whole and very sophisticated human being. And the movie is way richer for this resistance to show the daddy determine right into a caricature. Or to valorize the grownup Otis’ conduct in his wake. (That mentioned, anybody who remains to be struggling to course of their emotions for their very own abuser ought to most likely keep away from Honey Boy, which is kind of probably a piece in progress itself.)

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