Lizzo Units The Report Straight About ‘Payola’ Claims
Lizzo needed to set the document straight for a Twitter person who implied the singer’s 2017 tune, “Water Me” raised to No. 15 on the U.S. iTunes chart because of the usage of “payola” and “[streaming] bots.”
“Mfs not even hiding the payola and bots anymore,” the person wrote.
Payola is a time period within the music business to explain the unlawful follow of fee by document corporations to play music on industrial radio.
Based on Complicated, the person could also be basing their tweet on earlier allegations that the musician’s document label paid for her 2017 single “Fact Hurts” and 2016 tune “Good as Hell” to chart.
RELATED | Lizzo Speaks On ‘Fact Hurts’ Plagiarism Claims For The First Time
Keen to put out the details, Lizzo responded through Twitter.
“Really Walmart simply used my tune ‘Water Me’ of their Black Friday industrial and due to Shazam and the #dealdropdance it is turning into standard… However go off,” Lizzo tweeted.
That is certainly true. See Walmart’s 2019 Black Friday industrial that includes Lizzo’s tune “Water Me” beneath:
The 31-year-old entertainer continued with a second tweet saying, “Y’all suppose it was the plan for all my previous ass songs to be #1? I’ve an entire album the world hasn’t even heard but. We are able to’t plan the way it occurs when it’s your second it’s your second… I all the time believed in me I simply wanted the world to really feel me. Now they do. I’m grateful.”
Y’all suppose it was the plan for all my previous ass songs to be #1?
I’ve an entire album the world hasn’t even heard but.
We are able to’t plan the way it occurs when it’s your second it’s your second..
I all the time believed in me I simply wanted the world to really feel me. Now they do. I’m grateful.
— Feelin Good As Hell (@lizzo) November 27, 2019
“The PEOPLE are making these calls… not the label,” Lizzo concluded in her elegant clap again.
RELATED | Lizzo Reveals Why She Almost Stop Music After Releasing ‘Fact Hurts’
Earlier this yr, “Fact Hurts” peaked at No. 1 on the Billboard Scorching 100 charts whereas “Good as Hell” climbed to No. three.
(Picture: Jeff Kravitz/FilmMagic for dcp)
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